Lloyd Cole |
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The Drill Hall, Lincoln
04 June 2008
Photos & Review by Pete
Back in the early 80’s Lloyd Cole started releasing records just as essential to any clinically depressed owner’s record collection as The Smiths. And while Morrissey’s bi-curous melancholy wit owed much to such diverse influences as Oscar Wilde, kitchen sink drama ‘A Taste of Honey’ or The New York Dolls - buttoned up hetero Lloyd drew from chic French existentialists, 50’s classic ‘On The Waterfront’ and Leonard Cohen. When Lloyd mentioned Norman Mailer or Truman Capote you just knew he’d actually
Curiously whereas practically everyone under 25 making worthwhile music nowadays cites The Smiths as an influence on their Myspace page Lloyd Cole’s contribution has been somewhat overlooked. This is particularly ironic when comparing their more recent efforts. While Mozz sings about being in a gang Lloyd’s apple-mac home produced album ‘Music in a Foreign Language’ details a crisis of family life.
So, here we are, June 2008 and Lloyd Cole’s first ever gig here in Lincoln and necessitated nothing more than voice/acoustic guitars/ bottled water/towel oh and and a very big warehouse-sized back catalogue of superbly crafted songs. That he was technically limited in his playing mattered little to the 400 strong audience who were clearly on his side from the moment he’d made his way on stage. Sometimes intimate music doesn’t withstand bright lights or even a reverent crowd and Lloyd clearly had
Oh, his Tom Waits impersonation was pretty good - come to think of it, a duet between them would be a fine thing - in Lincoln, please. Till then, thanks for finally coming to our town. It was worth the wait.
More pics at www.shine.clara.co.uk/gigs webspace.
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spent last summer reading them (phew- saved us the trouble then.) While Morrissey reflected on life wistfully/bitterly from a safe distance, Lloyd was chronicling it from the inside, a bemused participant. Landmark album release ‘Rattlesnakes’ (with fine Scottish band The Commotions) shimmered with stylish writing, divine melodies and stunning production. Morrissey and Cole were the brave new world of English indie pop. We loved them. 
(unnecessary) reservations on the appeal of his early selections. It was fine, with some cracking choices but it was after the interval when there was clearly less inhibition and more confidence in the material. The song performances then became deeply luminous. They burned with poignancy, wit and feeling. Killer lines made you catch your breath afresh. This was masterclass writing - and made you wonder where were all the fine young singer-songwriters from round here. Top stuff. As he finished the night Lloyd assured us that it was a misconception that he was particularly miserable or even angry man and he had in fact few regrets about his life. This is all nice to know - but afterward it did make me wonder if he had actually been a bitter, fucked up, burned out, egomaniac musician, then perhaps more bands would be offering acclaim. Now that’s irony. 
This page was last updated Monday, 11 January 2010
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